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Once you are comfortable with the basics, these habits will lift your output from “good generation” to “good film.”

Prompting

  • Write prompts the way a director briefs a crew: subject, action, setting, time of day, mood.
  • Mention only what matters. Long prompts with conflicting instructions confuse the result.
  • Lean on references for things hard to describe in words — a shade of teal, a face, a silhouette.

Cinematography

  • Pick a camera/lens/focal/aperture preset for your project and stick to it.
  • Default to 35mm or 50mm. Reach for ultra-wide or long lenses when the story specifically calls for it.
  • Aperture f/2.0–f/2.8 covers most narrative scenes. Use f/1.4 for romance and dreams; f/16 for landscapes and epic reveals.

Video structure

  • Build storyboards before videos. Cheap to iterate, easy to share.
  • Use the wide → medium → close-up rhythm for multi-shot scenes. Classic for a reason.
  • Save your strongest budget for the moment that matters most. Not every shot has to be the same length.

Production rhythm

  • Work in iterations. Four variations → pick one → refine → move on. Trying to nail it in one click is slower.
  • Name projects, scenes, and presets descriptively. “Hero Shot V3” beats “Untitled.”
  • Use the Assets library. Anything you generate is available to reuse.

Common mistakes to avoid

Mistake 01

Loading every cinematic control at once on your first try. Start with prompt + camera preset, then add movements and ramps.

Mistake 02

Asking for too many things in a single edit. One change per pass.

Mistake 03

Ignoring the 15-second ceiling on multi-shot videos until the timeline forces you to. Plan your time budget before generating.